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7 mart\u00a0 – 5 nisan 2008<\/p>\n

Ankara ve \u0130stanbul d\u0131\u015f\u0131nda Bel\u00e7ika, Almanya, \u0130ngiltere, H\u0131rvatistan, Macaristan, Slovenia ve \u0130talya’da muhtelif gurup sergilerine kat\u0131lan Erdo\u011fmu\u015f, Galeri Nev’de sergisi ile birlikte yay\u0131mlanan katalogda yer alan metinde Ahu Antmen : \u201c Tayfun Erdo\u011fmu\u015f\u2019un sanat\u0131ndaki g\u00f6rsel dil, bu co\u011frafyaya \u00f6zg\u00fc g\u00f6rsel ge\u00e7mi\u015fin bi\u00e7imsel yank\u0131lar\u0131 kadar, ge\u00e7mi\u015fe ve gelene\u011fe i\u00e7erden ve d\u0131\u015fardan bakan sorgulay\u0131c\u0131 bir g\u00f6z\u00fcn varl\u0131\u011f\u0131yla \u015fekilleniyor. Yaz\u0131n\u0131n kutsal say\u0131lmas\u0131, s\u00f6z\u00fcn imgeye d\u00f6n\u00fc\u015fmesi, metnin, tanr\u0131sal inanc\u0131n soyut g\u00f6stergesi olarak okunmas\u0131…Erdo\u011fmu\u015f\u2019un resimlerinin sanki kutsal bir metin gizliyormu\u015f izlenimi veren \u2018do\u011fal\u2019 bir alfabeyle \u2013\u00e7i\u00e7ekle ve yaprakla- yazd\u0131\u011f\u0131 resimlerde, \u015fimdiki zamanda, burada, bu topraklarda ya\u015fanan tarihsel s\u00fcre\u00e7 ve kimlik aray\u0131\u015flar\u0131ndan sonra, yabanc\u0131la\u015ft\u0131\u011f\u0131m\u0131z bir sanat olarak kaligrafinin g\u00f6r\u00fcnt\u00fcs\u00fcne, anlam\u0131na ve etkisine dair g\u00fc\u00e7l\u00fc bir yorum var…\u201d diyor.
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